LATEST POSTS

December 30, 2009

Tippett Studio: The Making of The CG New Moon Wolf Pack


As the New Moon rises, so do the stars at Tippett Studio. Charged with creating the Quileute Wolf Pack for the Twilight sequel, some of the industries leading character artists sunk their teeth into just under 60 shots ranging from three to twelve seconds that were pivotal to the storyline. And those shots are getting noticed.

"Strong concept art will save a lot of steps in the CG process;
it helps to keep the artists from meandering from the final goal." - Aharon Bourland, Technical Art Director, Look Development.

Wolf Mountain and Frankenwolf
The challenge wasn't just to build a believable wolf, but to build five unique wolves of extraordinary size and weight, to portray that mass often with little more than the surrounding trees as comparisons, create believable fur and humanesque eyes that weren't distracting. Nate Fredenburg, Art Director, helped to make sure those requirements were fulfilled, combining real-world attributes and CG magic.
"At Tippett Studio, we always look to real-life creatures for reference on how to design our characters, real or mythical. For New Moon, we had a special opportunity to travel down to wolf sanctuary in Southern California to observe wolves up close and personal. The key to looking at live reference is to form a knowledge base, study the creatures, their quirks and behaviors, the language between the pack. We looked for signs of what the creature was about and added those to the visual effects to make them believable."

In Lucerne Valley, there is a sanctuary called Wolf Mountain where a dedicated group is trying to save wolves from extinction. This is where the Tippett artists traveled to spend personal time with the wolves, many tame enough to be approached and touched by strangers. There the artist could observe behaviors, pack interactions, hierarchy behaviors, and movement, and "closely examine the fur and its different lengths over the body, the coloring variations and markings, as well as the structure of the face, eyes, teeth and so on."

The trip was extremely fruitful, but Phil Tippett, with his honed eye for perfection, added a second method to study fur under different controlled lighting and wind. "We had a bunch of photographs of wolves that we were studying but Phil was insisting that we take it to the next level and have something to touch, walk around, and actually do your own," explained Fredenburg. This resulted in the creation of what became affectionately known as the "Frankenwolf".
Tippett bought wolf pelts and cut them up with an Exacta knife and pasted it onto a taxidermy blank "so that we could do a lighting lab in two conditions? controlled lighting on our stage where we could shine very specific lights and look at how the fur responded, then we took it outside on an overcast day, which was perfect for New Moon. We came up with strategies for how to artistically make the wolves look better in flat lighting, which is what we were dealing with and is a very difficult lighting situation."

Hair Raising
One of the key observations we made at Wolf Mountain was the complexity of the fur. From nose to tail the fur quality changes, prompting the painters to create a zone chart of the animal that divided the wolf up into fur zones; on the nose and the legs the hair was short and velvet, on the neck the mane was thick and long, belly clumped and long, the back more medium length while the tail was bushy. The coloring was not only unique over the length of the body, but the hair follicle had unique color ticking from root to tip.
Image courtesy Tippett Studio.

"Even with as far as computing power has come," said Fredenburg "it still is very difficult to accurately mimic real life, so everything we do to come up with our fur look is an approximation,
a cheat. It's not about replicating a wolf hair for hair; it's about getting the feel of a wolf. Even though we pushed 4 million hairs on this show, which is
twice what we normally grow, it is still not nearly the number of hairs a real wolf has."

A real wolf would have hundreds of millions of hairs but a digital wolf will only have perhaps four million, so some interpretation is needed to achieve the same effect.

To help achieve the fullness and fur realism needed, Aharon Bourland, Technical Art Director and Look Development, helped create Tippetts' in-house tool, Furator.

New Moon was the second Tippett film where this tool was used. Similar
to Shake in that is uses a tree-based system, it allows for characteristics
of hair to be added via nodes, then merged back together for the final groom.

It was developed to be highly flexible and extensible, such as the ability to twist a group of hairs from the tip and leave the base alone.

Another very helpful addition was Scraggle, a tool that used a CV interp node that increased the number of CV's and resulted in a scraggled hair, then further adjusted so that the majority of scraggle was towards the base, creating the illusion of a thicker undercoat with smoother fur on top.


Source

December 22, 2009

Vote For New Moon in Moviefone’s Year-End Movies Poll


Moviefone has their end of year poll up and New Moon is in several categories:
- Best Movie
- Best Chick Flick
- Sexiest Male (Taylor Lautner and Robert Pattinson nominated)
- Breakout Male (Taylor Lautner)
- Breakout Female (Anna Kendrick: Up In The Air)
- Scene Stealer (Anna Kendrick: Up In the Air)
- Which movie in 2010 are you most excited for: Eclipse

Go to Moviefone and vote!

New Moon Box Office Totals Updated


New Moon just finished it’s fifth weekend in theaters and was fifth place at the box office.

Here are the box office totals:

Domestic: $274,561,000
+ Foreign: $360,100,000
= Worldwide: $634,661,000

Source: BoxOfficeMojo

'New Moon' Exclusive: Chris Weitz Reveals 10 Secrets in the Film!


1. Hidden wolves
''Look for an upside-down engraving of a wolf in the shot of the bowl in which Carlisle burns his first-aid equipment; on Jacob's T-shirt when he meets Bella in the school parking lot for the first time; and a wolf trinket on the dream-catcher that he gives her.''

2. Vampire elevator music
''When Edward, Bella, and Alice get into the elevator on their way to see the Volturi, the music playing in the elevator is from Strauss' Die Fledermaus (a.k.a. The Bat).''

3. Emotional baggage?
''When Bella is looking for the meadow where she and Edward are seen lying down together, she carries a golden compass clipped to her backpack — part of my baggage!''

4. Speedy suitor
''We did a little trick when Edward gets out of Bella's truck and they're arguing. We wanted to show Edward moving impossibly quickly, so we put Rob right next to the camera but out of sight, and used a double dressed like Rob in the driver's seat. When Edward gets out, it's the double, and then Rob steps in front of the camera, and it looks as if he got there faster than humanly possible.''

5. Look it up
''And last but not least: If you want to know what Jacob says before he almost kisses Bella, ask a Quileute! The address of the Quileute tribal council is quileutenation.org. I can tell you this much: He says, Kwop kilawtley.''

6. Tower of glower
''You can see Volterra's tower and the red-cloaked revelers from the festival of San Marco on the cover of Bella's copy of Romeo and Juliet when she wakes up in her bedroom.''

7. Hope it was a rental...
''In the wolf-fight, we purposely knocked over the camera when the wolves tumble towards it; you can also hear the microphone thumping, as if an actual on-set animal had run into the camera and boom.''

8. Quileute culture
''When prepping to visualize Jacobs and Emily's houses, production designer David Brisbin and his team visited La Push and met the Quileute executive council. While they were there, a young Quileute girl gave David the first drum she made (this is a Quileute custom). To show appreciation, we decided to put the drum in a prominent shot — it's at the entrance of Emily's house, and you see it when Bella first enters. Also, the high pitched 'call' that Embry and Jared give when they jump out of Bella's car is a thing the Quileute kids do.''

9. Waxing romantic
''The reason the moon phases 'backwards' to reveal the title is that this is scientifically correct! I moderated an astrophysics seminar for the Science and Entertainment Exchange with noted astronomer Neil DeGrasse Tyson and he complained about the number of films that get simple science wrong. (Don't ask me to justify vampires or werewolves).''

10. That's Italian!
''In the Volturi chamber, Aro speaks Italian — 'La Tua Cantante' should be easy for readers of the books — he's referring to Bella's being Edward's 'singer,' whose blood calls out to him stronger than anyone else's. Later, when Bella tells him that he doesn't know anything about Edward's soul, he replies, 'Fore ... ne il vostro l'uno o altro' — 'Perhaps ... nor yours either.'''

Source

'New Moon' Is One Step Closer To An Oscar Nod, But Don't Go Celebrating Just Yet

Today the Academy of Motion Picture Arts and Sciences (a.k.a. the people who put on The Academy Awards every year) announced their shortlist of nominees for Best Original Song. Lykke Li's "Possibility" from "New Moon" was included on the list. (Press play below to hear Lykke describe why the song was perfect for the movie.)

But before Twilighters start celebrating their first potential Oscar nomination (as some fan sites already have), a bit of perspective should be laid out. The "shortlist" rings in at 63 songs, which makes us think the long list must have comprised of just about every song included in a film this year.

And running down the list, it feels like the Academy really just did pick and choose the best song from the majority of the films released this year and threw it on. "Transformers: Revenge of the Fallen," "Couples Retreat," "I Love You, Beth Cooper" and "Bruno" were honored with having songs shortlisted for contention. Even "Stu's Song" from "The Hangover" is on the list.

"Hannah Montana: The Movie" dominates the list with five songs in contention, and Disney's "The Princess and the Frog" is close behind with four. The rest of the films only have one or two songs nominated, with movies like "An Education," "Where The Wild Things Are," "Nine" and "Crazy Heart" getting the two-song appreciatory nod and films like "Jennifer's Body," "Old Dogs" and "Fast & Furious" only getting one.

In that case, I think it's pretty insulting "New Moon" only got one nod, and that the songs chosen was "Possibility." I would argue Thom Yorke's "Hearing Damage" is probably the best from the list, followed close behind by either Bon Iver's "Roslyn" or Grizzly Bear's "Slow Life." The fact of the matter is, while Lykke Li has a much better chance than about 75 percent of the songs on the list to get an actual nomination, there is little to no hope a "New Moon" song will make its way to the final five nominees.

Source

December 18, 2009

New Moon Movie Trailer is #4 Most Watched YouTube video of 2009

This year has been the biggest yet for online video, and for the first time we're sharing our official Most Watched lists and some of the fastest-rising search terms on YouTube. Some moments were big (President Obama's inauguration), some small (a Minnesota wedding party erupts into dance), some expected ("New Moon"), some surprising (Susan Boyle) — but all of them inspired, entertained and connected millions of people around the world via YouTube.

For these lists, we looked at view counts of YouTube's most popular videos this year (in some instances we aggregated views across multiple versions of the same video):

Most Watched YouTube videos (Global):
1. Susan Boyle - Britain's Got Talent (120+ million views)
2. David After Dentist (37+ million views)
3. JK Wedding Entrance Dance (33+ million views)
4. New Moon Movie Trailer (31+ million views)
5. Evian Roller Babies (27+ million views)

Source

'New Moon' Star Justin Chon Interviews Muse

'We might be able to lay something down that gets used in the film,' frontman Matthew Bellamy says of songs for 'Eclipse.'

Ever since the earliest days of Stephenie Meyer dreaming about a clumsy girl and a pale vampire spending time together in a meadow, Muse have been there to serve as the "Twilight" author's, well, muse. For proof, look no further than her acknowledgements in the "New Moon" novel: "And, finally, thank you to the talented musicians who inspire me, particularly the band Muse — there are emotions, scenes, and plot threads in this novel that were born from Muse songs and would not exist without their genius."

Several years later, the band has appeared on both massively successful soundtracks to the first two "Twilight" films and share millions of fans with the vampire franchise. This past weekend, the British band returned to Los Angeles to headline KROQ's annual Almost Acoustic Christmas festival. We snagged an all-access pass for "Twilight Saga" star Justin Chon — a huge fan of the band's — and after the show he got them to open up about backstage antics, whether it's better to be a rocker or an actor, and the song they're hoping to get on the "Eclipse" soundtrack.

Justin Chon: Oh my God, you guys were absolutely amazing, the whole show — how it was produced was amazing, the balloons and the piano and rocking on the guitar, everything was just perfect. This is my first rock show backstage experience ever.

Matthew Bellamy: So, how'd it go?

Chon: It was everything that I imagined it would be.

Dominic Howard: And more?

Chon: And more. I guess if I were to go back and do it all over again, would there be anything that you guys would have said I should have done that I maybe didn't do?

Howard: Did you see everyone today? Did you see Phoenix? I'm a big fan of that band.

Chon: I saw everyone, I saw Phoenix.

Howard: Well if you saw everyone, that's a good start.

Bellamy: Backstage, there are certain things that certain bands get up to — I'm sure you can fill in the gaps.

Howard: That might be happening a little bit later — maybe if you hang around, you can see a bit more. [Laughs.]

Chon: Awesome, man. You guys are on all the ["Twilight"] soundtracks, and I know that ["Eclipse" director] David Slade actually did some of your music videos.

Bellamy: Yeah, yeah. He did four music videos for us.

Chon: Wow, four? So is David Slade cooking something up for you guys for "Eclipse"?

Bellamy: Well, for "Eclipse," someone was asking us to write a song for it, I think. We haven't gotten around to doing that yet, because we're really busy touring. But hopefully, if we get time over the holiday break, we might be able to lay something down that gets used in the film.

Chon: Wow, perfect! Well, I'm in the movie and I'm a huge fan, so it's an absolute honor to be in your presence. There's this huge fandom with Stephenie Meyer and the books — what stuff inspires you guys?

Bellamy: We were with Stephenie last night, actually. We just saw Stephenie. She came to see us in Vegas — it was good seeing her, she's a nice lady. Lovely! And she brought her friends along. But what inspires us? Books, films, anything music and just whatever comes. Life experience is a big one for the lyrics; certain things that happen to you turn into songs.

Chon: What's next for you guys? You're doing "Saturday Night Live," and you guys are playing at Madison Square Garden, right? Wow.

Bellamy: Yeah, next March is it?

Howard: That's a great venue. We played there once before — that is going to be wicked to play back there. We've got lots of touring coming up — that's what happens, you release an album and then you tour your ass off for, like, two years. So, we're taking a little break for Christmas for a couple of weeks to go off to Australia and Asia, and then we come back here in the spring.

Bellamy: Our U.S. tour is March/April time. We're looking forward to that — it will be our biggest American tour to date.

Howard: It's fun, traveling around the world and going to strange places.

Chon: If I could go back, I think I would be a rock star instead of an actor, man. You guys get to do this — have this high 60 times a year! I shoot a movie and people don't [see it for a long time], then after, like, a month, people don't care ever again.

Howard: I'm sure they will with this new one ["New Moon"].

Bellamy: You can go to a theater and I'd imagine you get a similar buzz. Because it's live, you know? You have the crowd there.

Chon: A theater is kind of similar, but not so much. [Laughs.] Thank you guys for talking to me — awesome show, and hopefully I'm going to see you guys again.

Bellamy: Hopefully. Anytime you want to come, just come along!

Twilight Saga: 'New Moon' movie still shining overseas


With "Avatar" poised to blanket the foreign circuit this week, Summit Entertainment's "The Twilight Saga: New Moon" ends its monthlong rule as the No. 1 title overseas with a weekend gross of $23.2 million from 8,735 screens in 66 markets, raising its offshore cume to $360.1 million.

The offshore circuit is primed for the arrival of "Avatar," the much-anticipated 3D epic from director James Cameron, which 20th Century Fox will begin rolling out Wednesday. "Avatar" will play some 16,550 foreign screens in about 106 territories with most openings coinciding with the film's domestic debut Friday.

"New Moon" enjoyed a strong month on top of the foreign charts. Combined with its domestic cume, the teen favorite has racked up a worldwide gross of $627.5 million.

Opening in 10 foreign markets day-and-date with its No. 1 domestic debut was Disney Animation's fairy tale "The Princess and the Frog," which garnered $7.2 million from 1,486 situations. In the U.K., Warner Bros. opened "Where the Wild Things Are," director Spike Jonze's adaptation of the Maurice Sendak children's story, in the No. 2 spot with a gross of $1.44 million from 491 locations.

In addition, Warner Bros. opened director Clint Eastwood's "Invictus" with Morgan Freeman co-starring as former South African President Nelson Mandela at 73 screens in South Africa. Take for the rugby-related title, which co-stars Matt Damon, came to $204,000 drawn from 73 screens, which Warner Bros. says is the biggest ever opening figure of any Eastwood title in the market.

The weekend's most explosive solo-title opening occurred in Japan, where Toei Animation/Fuji TV's "One Piece Film: Strong World," the latest in a long series of animation fantasy or "anime" films, took the No. 1 market spot with $11.7 million drawn from just 188 locations. Average gross per-screen was a humongous $62,234, a new record for a national release in Japan. The latest "One Piece" ranked overall as the weekend's No. 4 title.

Ranking No. 2 on the weekend was Sony's "2012," which grabbed $20 million from 8,540 situations in 77 markets. Overseas cume so far stands at $555.6 million, making director Roland Emmerich's disaster epic the 13th-biggest international release of all time and the biggest ever from Sony Pictures Releasing International.

Third was "Disney's A Christmas Carol" with Jim Carrey as Scrooge, which generated $13.9 million from 5,298 situations in 50 markets and an overseas cume of $145.8 million. Worldwide, it has grossed $270.3 million. Director Robert Zemeckis' 3D performance-capture version of the Charles Dickens novella finished at No. 1 in the U.K. with $2.5 million in its sixth weekend playing at 434 screens for a market cume of $26 million.

Finishing No. 5 on the weekend was the No. 1 title in Germany and Austria for a second straight weekend, Warner Bros.' local-language German co-production "Zweiohrkuken," a romantic comedy written, directed and co-authored by Til Schweiger. Its second-round take from the two markets was $7.25 million from a combined 809 screens for market cumes of $18.7 million in Germany and $1.6 million in Austria.

The No. 1 title in France, "Arthur et la vengeance de Maltazard," grossed an estimated $6.4 million in its second round at 925 situations. Cume for the English-language family-oriented animation title from director/co-writer Luc Besson stands at $17.9 million in France only.

Early but incomplete reports indicate that low-budget phenomenon "Paranormal Activity" is holding well in its 27-market run on the foreign circuit. Director Oren Peli's horror-thriller finished with $2 million from 244 sites in France for a market cume of $7.3 million. In its second Australia round, the tally was $1.5 million from 227 spots for a market cume of $5.2 million. A No. 4 finish in the U.K. provided $1.2 million from 399 screens for a market cume of $14.2 million.

Total weekend action is estimated at $5.5 million. IM Global, which is handling the title overseas, says "Paranormal" has grossed a total of $34.7 million as of the end of last week. Weekend action is likely to push the title near or over $40 million.

"Up" now ranks as the third-biggest-grossing Pixar/Disney animation title ever released with a total foreign take of $401.7 million. The weekend overall generated $6.5 million from 663 locations, mostly in Japan, where it ranked No. 2. Its Japan market cume is $17.3 million. "Up's" total foreign take still trails that of the 2007 Pixar/Disney predecessor "Ratatouille" (which grossed $414 million foreign).

Disney's "Old Dogs" laughed all the way to $3.4 million from 1,142 sites in six markets. Cume for the John Travolta-Robin Williams comedy stands at $13 million. Warner's action title "Ninja Assassin" drew $3.1 million from 1,350 situations in 20 markets, pushing its cume to $17.3 million.

No. 1 in Spain for a second straight weekend was Fox's "Spanish Movie," director Javier Ruiz Caldera's local-language spoof of contemporary Spanish films. Weekend take was an estimated $1.7 million from 382 sites for a market cume of $7.2 million.

Top newcomer in France was No. 2-ranked "R.T.T." from Studio Canal, director Frederic Berthe's comedy filmed largely in Miami. Opening gross was an estimated $2.8 million from 525 locations. Debuting at No. 3 in the market was Pathe's "Loup," director Nicolas Vanmier's drama about a young reindeer herdsman. Opening figure was an estimated $2.1 million from 512 spots.

Other international cumes: Fox's "Jennifer's Body," $16.5 million; Universal's "Public Enemies," $110.7 million (after a $1.9 million weekend in Japan at 325 spots); Sony's "Zombieland," $17.7 million; Paramount's "Law Abiding Citizen," $7.8 million; Disney's "G-Force," $165.6 million; Sony's "Cloudy With a Chance of Meatballs," $72.2 million; and the Weinstein Co./Universal's "Inglourious Basterds," $197.7 million.

Also: Universal's "Couples Retreat," $46 million; Paramount's "Celda 211," $11.2 million (Spain only); Studio Canal's "Le villain," $5.7 million (in France only); Universal and other distributors' "Los Abrazos Rotas" (Broken Embraces), $32 million from 29 markets; Focus Features/Universal's "A Serious Man," $6.3 million; Universal's "The Invention of Lying," $13 million (from six markets); Screen Gems/Sony's "Armored," $600,000 (in six markets); and Universal's "Circque du Freak: The Vampire's Assistant," $11.7 million.

And: DreamWorks/Universal's "The Soloist," $6.1 million; Paramount's "An Education," $1.9 million; Focus Features' "Love Happens," $8.8 million; Paramount's "Law Abiding Citizen," $7.8 million; Focus Features/Universal's "9," $15.2 million; and Paramount's "Capitalism: A Love Story," $1.4 million.

Source

New Moon Movie trailer #1 Viral Video this year

December 14, 2009

From New Moon Director Chris Weitz Photobook of Montepulciano Set

From his own personal photo book, director Chris Weitz presents a very special inside look for fans into one of the key scenes from THE TWILIGHT SAGA: NEW MOON. The images below were taken during Chris' first scouting trip to Italy, before Montepulciano was selected for the shoot. Enjoy!

Montepulciano Set

We will be using the town of Montepulciano to serve as Volterra. We scouted about ten Italian hilltowns, and Montepulciano offered the best combination of beauty, age, change in height (you can see rolling fields below from the alleys running up to the main square, etc.) and symmetry that satisfied my obsessive qualities. Why not finish off this roundup with a little Italian scenery:

This is the clock tower of the main square of Montepulciano. Directly underneath is where Edward intends to reveal himself to the crowd (I prefer that to an alley way – that would be too blah and ordinary). The cafe on the very right of the shot was THE hangout for Twi-fans who went to Montepulciano -- people would sit up there and order coffees for the whole day to get a close look at filming!

This is what Bella sees as she finishes her run upwards and arrives at the square:


In other words, she sort of ascends through a series of alley ways and streets to the square itself. Here is a shot from the top of the clock tower itself, showing the square from above which, like the throng of visitors to the festival, also happens to be red –


Source

December 2, 2009

Is 'New Moon' Poised To Join Highest-Grossing Films Of All Time?


Last Monday, the movie world was abuzz with talk of the "New Moon" box-office haul: $142.8 million domestically, when the final numbers came in — giving the "Twilight" sequel the third-biggest opening weekend ever.

Did that huge number presage box-office immortality for "New Moon"? Would the vampires and werewolves have enough staying power to rise to the level of the highest-grossing films in history, like "Titanic" and "The Dark Knight"? Last week, we suggested that the key to answering these questions would come after the second weekend. Now the numbers are in: $42.5 million from Friday through Sunday and $66 million when you factor in the entire five-day Thanksgiving holiday. What have we learned? With the indispensible help of BoxOfficeMojo.com, let's take a look.

"New Moon" vs. "Twilight"

Sometime last Friday, after barely a week in theaters, "New Moon" passed the $192.8 million total gross of "Twilight," the first film in the franchise, which stayed in theaters for 21 weeks. Needless to say, that's a staggering improvement. Yet "Twilight" beat out "New Moon" by one integral metric: total percentage drop from first week to second week. "Twilight" dropped 62 percent after its first week. "New Moon" dropped 70 percent. That 10 percent difference is noteworthy. While "New Moon" out-grossed "Twilight" by $73 million over the first week, the sequel outdid the original by only $16 million over the second weekend.

Looking at 2009

After only 10 days in theaters, "New Moon" has already become the sixth highest-grossing film of the year with $230.7 million, close on the heels of "Star Trek" ($257.7 million). "Up" and "The Hangover" both failed to cross the $300 million mark, while "Harry Potter and the Half-Blood Prince" just barely exceeded that milestone. The lone $400 million-plus movie of the year is "Transformers: Revenge of the Fallen."

Can "New Moon" equal or outdo that total? After a $108 million opening weekend, "Transformers" dropped 61 percent to $42.3 million. That's a smaller percentage drop, but its total is on par with the $42.5 million second weekend of "New Moon." It seems, then, that "New Moon" is in pretty good shape to take over the top spot of 2009.

Keep in mind that in its third weekend, "Transformers" contended with "Brüno" and "Ice Age: Dawn of the Dinosaurs." "New Moon" will still face surprisingly successful "The Blind Side" but no other big releases in its third weekend.

The All-Time List

There are three ways to make it to the upper echelon of all-time biggest grossers: the slow and steady route ("Titanic"); the huge opening, followed by a measured decline ("The Dark Knight") and the re-release ("Star Wars").

Does "New Moon" have what it takes to join these vaunted films? Its 70 percent decline from first to second weekend does not bode well. "Titanic" jumped 24 percent to $35.4 million, while "Dark Knight" dropped just 53 percent after the first weekend for a second weekend pull of $75.2 million. But if "New Moon" manages to cross the $400 million threshold, it will vault into the top 10. That would be an amazingly impressive performance, especially considering that "Twilight" currently sits at 104 on the all-time list.

Source

Twilight screenwriter Melissa Rosenberg Interview on New Moon and Eclipse story

Melissa Rosenberg talks on ReelzChannel about working on New Moon and Eclipse screenplays.

December 1, 2009

New Moon volturi Michael Sheen on Bonnie Hunt

Michael Sheen from paperboy, to burger boy, to star on Bonnie Hunt.